The Bowery Hotel Basement Annex presents: KIKA KARADI, curated by Peter Makebish

Kika Karadi was born in Budapest, Hungary in 1975, immigrating to the United States in 1986.  She attended New World School of the Arts in Miami and received her BFA in Painting from the Maryland Institute College of Art in 1997.

Kika Karadi lives and works in New York.  Her work has been exhibited throughout the United states and Europe, including the Expanded Painting Section of Prague Biennale and the 51st Venice Biennale at the Museo Storico Navale. Her museum exhibitions include Artium-Centro-Museo Vasco de Arte Contemporáneo in Spain and Centre Pasquart – Kunsthaus Centre d’Art in Switzerland.  Reviews of her exhibitions may be found in Artforum, Flash Art, Miami Herald, The Art Newspaper and various other publications.

Showing November 20th to December 20th, we look forward to seeing you.

Rachel Rossin’s First Solo Exhibit

Opening: Friday, October 26  6-10PM 

Show runs: Oct 26 – Nov 6

The Bowery Hotel Basement – 4 East 3rd St

This Friday, we present Rachel Rossin’s first solo exhibit.

Rachel Rossin is a Florida native currently living in Brooklyn, NY.  A painter and multimedia artist; recently her work has been exhibited in the highly acclaimed Brucennial 2012 as well as at the Charles Banks Gallery in New York, NY.

Check her website out for more of her work:


Judith Reigl Exhibition “Ink On Paper” at The Bowery Hotel

This Saturday, the Bowery Hotel in cooperation with Janos Gat Gallery is exhibiting works from Judit Reigl’s series Ink On Paper.  Below, you can find a video link from the  in her native Hungary showing us the artistic process of her work.

|KMFA| REIGL Judit – Ink on Paper (2010)


Bill Saylor Exhibition “Liquidy Split” at The Bowery Hotel Basement Annex

The Bowery Hotel is pleased to announce the opening of an exhibition of new paintings by Bill Saylor entitled, “LIQUIDY SPLIT.” This exhibition, curated by Peter Makebish, presents a series of paintings, whose imagery and iconography rotates around the mythology of the rural American sublime. The emblazoned symbology comprised of images with various troupes of loss and decay, i.e. rattlesnakes, skulls, various crustations and the like, offer a dense and formalized surface for contemporary painting. Saylor’s lineage can be traced back to that of the early beginnings of the American painters of the 21st century. His visceral approach and tactual eye has resounded in numerous exhibitions and bodies of work, most notably within the American context of presentation and venues. Saylor’s roots belong to the space of American abstract expressionism. Aspects of Kline, Pollock, DeKooning and Motherwell are  present within these new works, as well as later historical touchstones as Lupertz, Schnabel, and Polke. Although at once engaging in the immediacy of shock and awe, Saylor’s new body of work pivots and swerves into unknown directions and consciousnesses in a remarkably fresh and vital manner. In the current digital age we all live in, paintings such as the ones presented here in ‘LIQUIDY SPLIT’, offer us a unique view into the heart of what it means to be wrestling with the notion of the possibility that an ‘oil on canvas’ can suspend disbelief.

Bill Saylor has been included in various international exhibitions, including Leo Koenig Gallery in New York, Eleni Koroneou Gallery in Athens, Voges & Partner in Frankfurt and Asbaek Gallery in Copenhagen. He holds a BFA from Cal State Long Beach. Bill Saylor lives and works in New York City.